Puccini loved that, that his heroines died on stage.
Preferably as abruptly as possible, which enhanced the effect.
He thought that was ... heroic!
But usually a hero or heroine comes to an understanding.
Now I wonder: what insight does Puccini's Butterfly come to?

 

From Tanto Amore, Simonne Moesen

Two strong women present their unconventional take on Puccini's created opera heroines and their passions, contradictions and absurdities, their fragility as well as strength in their search for unity, truth and love.

 

After her time with Wayn Traub, singer/actress Simonne Moesen is picking up where she left off with her own work. For Tanto Amore she crawls in and out of the skin of Butterfly, Mimi, Tosca, Turandot and Liù and throws herself wholeheartedly into their moving arias. In her lightly humorous commentary, she questions romantic ideals and the dramatic course of events and suggests other scenarios.
Pianist/composer Kaat De Windt plays with Puccini's themes, translating them into her own musical world.

Credits

concept, text, acting & singing
Simonne Moesen
co-creation, compostion, arrangements & piano
Kaat De Windt
original music samples
Giacomo Puccini
coaching
Guy Dermul
scenography
Stef Depover
Actor directing French-language version
Alain Fourneau
costumes
Vanessa Evrard
engineering
Rik Helsen & Lorelinde Hoet
production
La Dea
co-production
WALPURGIS & Théâtre des Bernardines (Marseille)
with the support of
the Flemish government & SACD
courtesy of
Johan Bossers, Charo Calvo, Guy Dermul, Vanessa Evrard and Georges-Elie Octors & scotto musique

Press

Reviews & announcements

Tragedy brought with humour Hermine Couvreur, Classical Central, 18/02/2014

 

WALPURGIS brings us love (ah, love) OUT in Sint-truiden, December 2013

 

“A tender, bloody beautiful and funny concertante tale” Earwitness

 

The performance of the arias, which have become world-famous and thus world heritage, is to be commended. The singer who used to be part of Wayn Traub's company has a beautiful voice. François Van de Brul, Mediawatchers.be, 21/03/2012

 

Public comments

Courageous, punishing lady that is. Enjoyed it!
Pieter Embrechts, actor

 

Suddenly, we find ourselves in the most compelling introduction to opera. Marc van der Heijde, blogger for Operadagen Rotterdam 2014

 

We enjoyed your fine performance for a long time. A gem! Karo

 

Words fall short after hearing your wonderful voice and feeling both your passion! Winni

Guestbook

Tanto Amore Segreto turned out to be a highly original performance. Simonne Moesen effortlessly kept us under the spell of Puccini's heroines and surprised us with this smooth piece that was completely conceived and elaborated by her. Especially the inventions in terms of costumes, shoes and props and, of course, the musical quality of the singer and her accompanist Kaat De Windt made it a wonderful whole. My colleague and I learnt quite a bit about the content of the operas, in a way that was both playful and moving. Our heartfelt congratulations! - Ann

 

We thought it was SUPER !
Ortiginal, fresh, with a wink, but also educational.
Congratulations to Ms Moesen and Kaat for superb acting and beautiful music.
- Dear

 

It was humorous, mischievous and at times goosebump-inducing. The combination of the beautiful singing voice and the excellent piano accompaniment gave us a wonderful evening, for which we thank the artists.
Also made me reflect on the role of women in earlier times.
- Bieke

 

Beautifully played, beautifully sung. Captivating from beginning to end. - Mia

 

The acting, singing and music were all equally brilliant, fresh, challenging, artistic and above all captivating! If you add to that the beautifully sung Italian, it is fair to say that this is the work of someone who has been around for a long time... In other words, what are you going to do after Avignon?
Thanks again for the great performance and good luck.
- Danny & Marita

 

Two strong women approaching Puccini in an original way. Beautiful piano improvisations, strong acting and a pleasant location. - Zoé

 

I liked the approach to “opera” - I am not a real opera connoisseur/lover because I am too down-to-earth... so not romantic enough to burst into tears (like my grandmother snickered until she had to gasp!). So I could enjoy the brief but powerful interpretations on the one hand (perfectly supported by the minimalist accessories) and then related to the “now”. Wonderful find that nimbleness and relatability coupled with professionalism. I enjoyed it and hope many will too! - Patricia

 

A fun and relaxing evening. Very good direction and very good acting, minimalist yet clever set. The combination of the chosen fragments the variety of the instrumentation the playing filling the space, suggesting great things with small things. - Hugo

 

Tanto amore segreto we liked very much. We didn't really know what to expect and were curious. The play positively surprised us. We also liked the acting with a touch of humour. - Lut

 

I liked the concept lol: I'm not too crazy about ‘opera’ myself but this gave a nice introduction with a big wink! Also absolutely fantastic singing and acting and the arrangements and musical support were also perfect! I really hope that more performances like this are programmed and school performances are made of it: that way, young people also get to know ‘opera’ in a light-hearted way. - Roger

 

I am not an easy observer, BUT this was for
me just GENIETEN. I take my (figurative) hat off to Simonne Moesen and Kaat De Windt. What a performance! My husband just loved it too. I also think this production can encourage people to get acquainted with Puccini's operatic works.
- Danielle

 

The performance deviated from “the classical” we are more accustomed to, but we could appreciate this modern form of art! We were fascinatingly introduced to Puccini's (heroines from) operas. I particularly liked the performance of Tosca's aria!
The sets, the attire, the acting and singing, the music,... formed a beautiful whole. I was happy to be there, thank you!
- Christel and Hilde

 

Not quite knowing what to expect from the theatre production, I went to see Tanto amore segreto with my colleague. At least the title sounded very promising. The depiction of the stories throughout the performance were fantastically delivered. A combination of singing, drama and storytelling make the audience get a good representation of the rather sad stories. That the performance was brought with the necessary critical humour by Simonne makes it all a bit more light-hearted. The performance was short, but enough for me. I enjoyed the evening. - Rina

 

Very beautiful and beautifully sung. BRAVO! To be repeated. - Goedele