Vindevogel fully succeeds. A diverse audience can be introduced to this often considered elitist work in an easily digestible way during an amusing evening out.
Saskia Vereenooghe, The Time

The most wonderful thing about this coup de théâtre is that the tempo present in the performance is accurately maintained and even stepped up. This has the not undeserving effect of irresistibly drawing in even an audience not at all familiar with Stravinsky, as one might fortunately expect at the Summer of Antwerp. (...) A strong concept, a show with a tight tempo, good actors, singers and musicians are the strengths of this performance.
Stephan Moens, De Morgen

Theatre, music, singing, skits, photography, food and drink making The Noces in a word lavish. As if companies that otherwise draw meticulously with black pencil have suddenly discovered the paint box.
Ilse Dewever, Gazet Van Antwerpen

Igor Stravinsky composed with Les Noces a delightful piece of primal music for four pianos, extended percussion and 16 singing voices.
Eddie Vaes, Zone 03/

All senses are served in this performance, including taste.
Erik Betten, Friesch Dagblad

It's party time and really everything is pulled out for this infectious feel-good performance.
Vincent Kouters, Volkskrant

Oerol meets Holland Festival.
Eric Van der Velden, Rotterdam daily newspaper